On September 17, the Madrid Arena hosted the Eventoplus Awards 21st edition, a premier act for Spain’s events and communications industry. The gala brought together 1,025 professionals—a record attendance—and recognized a total of 60 projects across 20 categories, in addition to the Grand Prix and other special honors.
This year’s ceremony featured a creative theme centered on the duality of angels and demons—a concept reflected in the set design, lighting, visual content, and audience layout. A central 16-by-5-meter stage facilitated an intimate and dynamic awards presentation, complemented by a second stage dedicated to musical performances.
As the audiovisual provider for several award-winning projects, Fluge Audiovisuales wishes to extend special congratulations to the clients and partners whose talent and creativity were recognized by the jury.
In the Best Sports Event category, Experientia won Gold for Red Bull Rey del Barrio, produced for Red Bull.
In the Best Product Launch category, Experientia also took home Silver for the Opening Show Final Copa del Rey by Cupra, created for Cupra. In this same category, Fazeta & Bamboleo received Bronze for Hackeando El Café Nescafé Espresso Concentrate, developed for Nescafé.
Meanwhile, Lighthouse was awarded Silver for Best Entertainment or Show for El Juego del Calamar x Mahou, a project produced for Mahou.
In addition to supporting the industry on a night dedicated to recognizing its most outstanding projects, Fluge Audiovisuales played a pivotal role as the gala’s audiovisual provider, supplying the sound, lighting, and video systems used in both the main area and the entrance spaces. In addition, Enrique Jiménez (Fluge Audiovisuales) was responsible for the lighting design.
For the main area’s audio setup, a system based on d&b audiotechnik technology was deployed, featuring XSL8, XSL12, and V8 line array cabinets, KSL-SUB cardioid subwoofers, and D80 amplification. The configuration was rounded out by d&b E5 front-fills, dedicated systems for the musical stage, monitoring, and a Yamaha DM7 control surface at FOH.
The microphone setup included Shure ULX-D wireless systems, DPA 6066 headset microphones, and various solutions from Shure, Sennheiser, and AKG, alongside a Hollyland Solidcom M1 Pro intercom system for technical team coordination.
The lighting setup featured an extensive array of equipment from Elation, SGM, Claypaky, Martin, Cameo, Portman, and Robe. Key units included 42 Elation Chorus Line 16s, 48 SGM Q8s, 24 Robe BMFL Spots, Claypaky Sharpy Plus fixtures, and Martin MAC Quantum Washes, all managed via a grandMA3 Full Size console and the corresponding control and distribution infrastructure.
On the video side, the main area incorporated six 5 x 3-meter LED screens—comprising Gloshine LE 3.91 and Dicolor MA-390 modules—along with Novastar MX40 Pro processing, a Pixelhue P20 processor, and media server systems. Various 4K monitors were also installed in the entrance and auxiliary areas.
